Blogia

Transistor kills the radio star?

A resposta da rádio (gravar músicas on line)

«UBC Media plans to launch a new service that allows radio listeners to instantly download songs to a computer or mobile phone, allowing for impulse driven media purchases. The company said that it would launch its Digital Music Downloading (DMD) service in London early in 2007. The service will be available throughout the UK in March. The DMD service will initially feature five streaming radio stations. Users can download songs in real time to both their home systems and specially-equipped mobile devices. The service uses prepaid credits and charges ₤1.25 per song. Apple's iTunes store charges 79p per download. The company said it has secured licensing deals with all four major record labels, as well as the PPL and MCPS licencing organisations. Currently, the only mobile device that is equipped to support the DMD service is Virgin Mobile's Lobster 700 TV. The company hopes that manufacturers will begin selling more devices that support the service next year. The music download service sends each song as an ecnrypted audio file alongside the radio broadcast over an internet connection. Because of the limited mobile bandwidth and associated costs, UBC at launch will offer only five radio stations.  The company plans to grow out its station line-up through software that transmits downloads directly through a home internet connection rather than a cellular network. The DMD service was first demonstrated in November of 2005 at an event in London. In August, the company conducted a month-long trial of the service with Birmingham radio station Heart 100.7.»

fonte: «Downloadable radio service prepares for takeoff» Shaun Nichols in California, vnunet.com 27 Nov 2006

Visual Radio na Índia

«(...) Radio Mirchi, India's largest private radio network, launched visual radio in July in Delhi with Hewlett Packard and Nokia. A connection with Hutch (Hutchison Essar Limited) or Airtel along with General Packet Radio Service (GPRS)-enabled mobiles enable the reception of visual signals. However, potential listeners are unsure about receiving value for money. College girl Jasmine has a GPRS-enabled phone that can easily pick up the service, but she is yet to tune in. 'I am frankly not interested. When I feel like it, I shall think of using the facility,' she said. With GPRS-enabled mobile phones not too common and many people ignorant about how to turn the visual radio features on, it is a long road ahead for the service providers hoping to woo clients. However, the venture partners have launched a vigorous marketing campaign extolling the virtues of visual radio.»

fonte: «Visual radio ahead of its times?», India News, Nov 26, 2006, 4:15 GMT

Utilização de podcasts aumenta

«The survey by the Pew Internet and American Life Project found 12% of US people online had downloaded a podcast. Earlier this year, a survey by the same research group found that just 7% of online Americans had downloaded a show. But despite the growth, just 1% of respondents said that they would download a podcast on a typical day. This figure remains unchanged from the February survey. Research firm Nielsen NetRatings estimates that there are 207,161,706 internet users in the US.»

fonte: «Podcast numbers show 'few hooked'», BBC news, Thursday, 23 November 2006, 11:26 GMT

 

Zune não bate iPod

conclusões de uma análise comparada feita por Walter Mossberg, o especialista do WSJ:

«Zune has several nice features the iPod lacks: a larger screen, the ability to exchange songs with other Zunes wirelessly and a built-in FM radio. It solves the worst problem that plagued earlier Microsoft-based music players -- frequent failures to synchronize properly music and videos between the players and personal computers. Synchronization on the Zune is smooth and sure.Also, the Zune player and software have a very good user interface, different from, but in some cases easier to use than, the iPod's. While it lacks the famous iPod scroll wheel, instead using a common four-way navigation pad, I found song lists easy to navigate on the Zune. It has only a few buttons and is quite intuitive to use. To my ears, it sounded as good as the iPod.

But, this first Zune has too many compromises and missing features to be as good a choice as the iPod for most users. The hardware feels rushed and incomplete. It is 60% larger and 17% heavier than the comparable iPod. It has much worse battery life for music than the iPod or than Microsoft claims -- at least two hours less than the iPod's, in my tests. Despite the larger screen, many album covers look worse than they do on the iPod. And you can't share music libraries between computers like you can with iTunes. Zune's online store offers far fewer songs, just over two million, compared with 3.5 million for the iTunes store. In fact, as of this writing, songs from one of the big labels, Universal, were missing from Zune Marketplace, though Microsoft says it is confident it will have all the major labels when it launches Zune on Tuesday. Also, despite the player's capability, Zune Marketplace offers none of the TV shows, movies or music videos that iTunes does, and has no audiobooks or podcasts. Even worse, to buy even a single 99-cent song from the Zune store, you have to purchase blocks of "points" from Microsoft, in increments of at least $5. You can't just click and have the 99 cents deducted from a credit card, as you can with iTunes. You must first add points to your account, then buy songs with these points. So, even if you are buying only one song, you have to allow Microsoft, one of the world's richest companies, to hold on to at least $4.01 of your money until you buy another. And the point system is deceptive. Songs are priced at 79 points, which some people might think means 79 cents. But 79 points actually cost 99 cents.»

fonte: «Microsoft's Zune Challenges iPod» By Walter S. Mossberg, 9/11/06

«Para David Pogue, do jornal americano The New York Times, “o Zune é excelente. Não pode competir com o design do iPod, mas é mais prático”.“O que é realmente louco no sistema é que as restrições também impedem você de compartilhar as suas próprias criações musicais”, disse Pogue, descrevendo o sistema como “draconiano” e rigoroso como “uma professora do século 19”. (...) Os jornalistas dos dois jornais americanos também criticaram a falta de recursos do Zune. “Não tem nenhum dos recursos do iPod, como jogos, alarmes, cronômetro, equalizador, calendário”, disse Pogue. “Esse Zunes ainda tem muitas restrições e sente falta de muitos recursos para se comparar ao iPod como uma opção”, disse Mossberg, que adiciona: “O hardware parece ter sido lançado às pressas e incompleto”.Outra crítica dos dois jornais diz respeito ao fato de o Zune não permitir que usuários diferentes possam compartilhar seus arquivos entre computadores de uma mesma rede, um dos recursos do iTunes, o programa da Apple para gerenciar os arquivos do iPod.De qualquer modo, mesmo com a supremacia do iPod ainda garantida, as duas avaliações acreditam que o Zune deve melhorar com o tempo e que a concorrência proposta pela Microsoft é saudável para os consumidores» (Microsoft lança concorrente para o iPod, BBC Brasil)

Rádio mantém-se em queda acumulada mas recupera em Outubro

«A rádio foi o meio que registou a maior subida do investimento publicitário em Outubro face ao mesmo mês de 2005, segundo os dados divulgados ontem pela Marktest e tendo por base os preços de tabela. (DE, 24/11/06)»

(rádio: 19,9 milhões de euros em Out06 contra 17,3 milhões em Out05; subida de 15,03%)

No entanto, «O investimento publicitário nos cinco principais suportes de comunicação - televisão, imprensa, outdoor, rádio e cinema - totalizou 3,3 mil milhões de euros (a preços de tabela sem negociação) entre Janeiro a Outubro deste ano, o que representa uma evolução de 11,3% face ao mesmo período de 2005. (...) com comportamento negativo situou-se a rádio (quota de 4,5%). Contrariamente, em Outubro, este meio verificou um crescimento de 15,5%,» A rádio tem uma queda acumulada de 2,2% (153,322 milhõesde euros nos primeiros 10 meses deste ano contra os 149,992 milhões de euros destes 10 meses) DN, 24/11/06

O fim do FM

«Ofcom today signalled the eventual demise of FM radio after concluding that other services such as mobile television could make more efficient use of the spectrum. In a discussion document on the future of radio, the media regulator said that it would also look at whether AM spectrum could be released for other uses; if radio stations should adhere to rigid formats and whether changes should be made to ownership rules.  The potential phasing out of FM radio has been pushed to the forefront of the agenda following the rapid growth in digital radio.  Ofcom said that new technologies such as mobile TV, further digital radio or data services meant there were now other potential uses for the spectrum.  "We have no immediate plans to switch off FM radio and would not do so without fully considering the impact on consumers, but in the long term other services may make more efficient use of the spectrum used by existing FM radio services and may provide a better consumer outcome," the regulator said.  "This could mean an end to the broadcasting on FM of those commercial and BBC services that are also available on digital."  However, it also added that the spectrum could be reviewed to include a different range of FM radio services, such as more community outlets (...).»

fonte: «Ofcom dials up FM's demise», Leigh Holmwood, Thursday November 16, 2006, MediaGuardian.co.uk

GB liberaliza uso de transmissores FM para LAD

A partir do proximo mês já será legal na GB usar adaptadores de FM no carro para ligar os LAD (iPod e outros).

«Ofcom today announced that the use of certain low power FM transmitters, which wirelessly connect MP3 players and other personal audio devices to radios and in-car entertainment systems, will be legal for use in the UK from 8 December 2006.

Equipment previously available carries a high risk of interference to other broadcast services. However, in response to consumer demand Ofcom has led negotiations in Europe to develop a harmonised technical approach designed to limit the potential of interference to other wireless devices.»

fonte: «Change to the law to allow the use of low power FM transmitters for MP3 players», Ofcom, 23/11/06

Um bom exemplo de como as rádios podem valorizar conteúdos

«WCBS-AM/New York is unveiling a new mobile phone service, teaming with 3rd Dimension Inc. to give New York, New Jersey and Connecticut drivers the ability to watch for traffic on their phones. The WCBS "Video Cellmate" works with most cell phones and PDAs, allowing users to tap into over 400 traffic cameras in the tri-state area and view road conditions.

"The WCBS Video Cellmate is an exciting addition to our traffic reports, which are the most comprehensive in the Tri-State," said WCBS PD Crys Quimby. "Seeing your route live on your cell phone is a natural extension to logging on to WCBS880.com for traffic updates before you hit the road and listening to WCBS traffic reports on the radio when you get in your car."»

fonte: FMQB, WCBS-AM Launches Traffic Camera Access On Cell Phones, 20/11/06

Os jornais a procurarem outros conteúdos

«A consortium of seven newspaper chains representing 176 daily papers across the country is announcing a broad partnership with Yahoo to share content, advertising and technology, another sign that the wary newspaper business is increasingly willing to shake hands with the technology companies they once saw as a threat. In the first phase of the deal, the newspaper companies will begin posting their employment classified ads on Yahoo’s classified jobs site, HotJobs, and start using HotJobs technology to run their own online career ads. But the long-term goal of the alliance with Yahoo, according to one senior executive at a participating newspaper company, is to be able to have the content of these newspapers tagged and optimized for searching and indexing by Yahoo.

fonte: «176 Newspapers to Form a Partnership With Yahoo», New York Times on line, 20/11/06

Outras formas de os musicos se promoverem

A internet oferece uma panóplia de oportunidades para os músicos se promoverem, encontrando os seus fãs muito mais facil e eficazmente do que através da rádio.

A existência de páginas que recriam/constroem uma realidade virtual é mais um contributo: o Second Life ou o Habbo Hotel são disso exemplos. O Habbo Hotel, «a 3D online world popular with teens which is being targeted by record companies desperate to find new ways to reach this crucial audience. Next month U2 will become the biggest band yet to insert themselves into this virtual world, with cartoon-like representations of Bono, The Edge, Adam Clayton and Larry Mullen Jr appearing within the game to host a pub quiz and promote their new album. In the UK, more than 800,000 users regularly meet in the sprawling virtual hotel to chat, play games, decorate their rooms and hang out in a variety of locations from pizza joints to swimming pools and nightclubs to burger bars. Globally, more than 66m Habbo characters have been created, there are communities in 29 countries across five continents, and it now has 7 million unique users a month. When they sign up, new users, typically aged between 11 and 18, create their own digitised versions of themselves and are then free to roam around and interact with others online at the same time

fonte: «Pop music moguls home in on the hotel with 66 million guests», Guardian Unlimited, 21/11/06

Contributos para o segundo choque

«(...) Of course any blanket statement is pretty useless today, especially when referencing music. Eighteen-year-olds are wired into the MySpace world; 40-plus Luddites are clueless about downloading; music freaks of any age will go anywhere the music is offered and there are traditionalists who continue to hear music on radio and buy CDs at the big box stores. And that’s an overgeneralization, with the point being that there are 300 million-plus North Americans and any blanket statements are, in my opinion, far too general in 2006.

And then there’s radio. It’s a different experience. The key to radio has been in evolving what comes out of the speakers as much as the technology. In 1970, FM was a superior technology sound-wise, but what made FM happen is the programming.

FM had been around since 1940 but in the 1970s FM attacked the vulnerabilities of AM, which was still paying by the rules of 1956. Same thing now, FM is vulnerable because it’s playing by the rules of 1980. When radio gets in sync with the era, it’s an experience that I believe will always be a significant part of the listening pie.

Years ago, there was similar talk about when eight-track, cassette and later CD players were integrated into cars. That same “radio is dead” talk.

Radio is resilient. It was given its last rites in 1955 when TV became mainstream. The emergence of these technologies certainly creates a challenge, but media ain’t no cakewalk. (...)»

Lee Abrams, «iPods Are Killing Radio!?», RWonline, 22/11/06 

«iPods Are Killing Radio!? » (intro)

O comentário de Lee Abrams, 11.22.2006 (Abrams is chief creative officer, programming at XM Satellite Radio; this commentary appeared on his personal blog at leeabrams.blogspot), a propósito das informações que dão conta da instalação em mais modelos de carros de adaptadores para o iPod:

«In my opinion, it’s a changing world in terms of how you receive audio entertainment. Not a brilliant revelation, but how you process that reality is the key. The new choices are good! Bring it on(...)»

I can’t wait to have an iPod wired into my car. Put it right next to XM, next to terrestrial. More choice. Will I listen to my iPod in the car? Hell yes. Will I listen to XM ... of course ... and I might even pop over to terrestrial too. I think it can expand the time-spent-listening to audio entertainment. One day, maybe Internet radio will be in the car too. Great! I think ya gotta accept that this is all coming and embrace the competition and the new playing field. (...)

Years ago, there was similar talk about when eight-track, cassette and later CD players were integrated into cars. That same “radio is dead” talk.

Radio is resilient. It was given its last rites in 1955 when TV became mainstream. The emergence of these technologies certainly creates a challenge, but media ain’t no cakewalk.»

fonte: «http://www.rwonline.com/pages/s.0044/t.510.html (22/11/06)

13 793 rádios nos EUA

«The FCC has updated its tally. As of Sept. 30 there were 4,751 AMs, 6,252 commercial FMs and 2,790 educational FMs for a total of 13,793 radio stations. That compares to June 30 totals of 4,744 AMs, 6,238 commercial FMs and 2,760 educational FMs for a total of 13,742 stations. There are 746 LPFMs; there were 721 at last count. The FCC also says there are 4,087 FM translators and boosters. That compares to 4,026 as of June 30.»

fonte: RWOnline, «FCC: 13,742 Total Licensed Radio Stations in U.S.», 22/11/06

Os vários formatos digitais da rádio

«Experts from both broadcast vendor system proponents and the consumer electronics industry will be on hand to discuss new DAB (Eureka 147) standards, DMB technology, DVB-h, DRM+ and HD Radio»

fonte: «Swiss Radio Conference Will Address Digital Choice», Digital Radio Update, 22/11/06,

Por falar nisso, aqui está um receptor muito completo (multi-standard):

«Radioscape is now shipping it RS500 module, which allows receiver manufacturers to provide a broad range of multi-standard functionality with the addition of a single package. RS 500 functionality will include DAB (Band-III and L-Band), DRM (LW, MW and SW), FM-RDS AM (LW, MW and SW) including AMSS, automatic alternative frequency switching (AFS), EPG (DAB), SDCARD Recording (DAB/DRM) and playback of MP3/WMA files»

DAB acrescenta AAC ao formato de conversão MPEG

«World DMB, an international organization for the development and deployment of Eureka 147-based digital mobile broadcasting technologies, has released details of its plans to create optional audio coding for DAB. The organization has submitted a draft of technical specification tiled "Digital Audio Broadcasting (DAB); Transport of AAC Audio" to the international standard body ETSI. World DMB-compatible receivers and broadcast services supporting the new standard may be introduced as early as 2007. A marketing task force has been set up to develop a consumer-friendly name for the effort. Eureka 147 currently uses MPEG Layer II to encode streams. By adding ACC as an optional algorithm, more stations can be broadcast on a given multiplex signal for more spectrum efficiency. It's expected that the change will also lower transmission costs for digital stations. New receivers with ACC will be backward compatible with the existing codec standard. Current MPEG Layer II services and consumers will be unaffected by the change. »

fonte: «New DAB Specs add AAC Plus Coding», Radio Magazine, 22/11/06

Os receptores ou os conteúdos

O estratega Mark Ramsey prossegue a sua campanha em defesa dos conteúdos, por oposição à importância das plataformas.

Enquanto muitos defendem que o HD não se desenvolve porque há poucos receptores, porque são caros e porque a tecnologia exige um novo receptor, Ramsey tem uma visão diferente: se os conteúdos oferecidos fizessem a diferença as pessoas pagariam esse preço elevado, comprariam novos receptores e até fariam filas para os adquirirem. Exemplo: a playstation... «For example, if you wanted to be first to own a Sony PlayStation 3 game system, you waited on line for three days for the chance to spend $600 on one of these babies when the doors opened at Best Buy last Friday. And you did it gladly. No discounts required.» («Are you waiting in line for your HD radio?, 20/11/06)

MSN incorpora tecnologia Pandora

«A rádio online do portal MSN, da Microsoft, não é mais a mesma. É que nesta semana o serviço incorporou a tecnologia do Pandora, um popular serviço de música online onde os usuários podem ouvir músicas por gênero e similaridades, seguindo o ´projeto genoma da música´, como o serviço se descreve. O acordo, dizem analistas do setor, foi feito para barrar a perda de ouvintes do serviço da Microsoft, que teve uma queda de 9% no número de usuários mensais no último ano, segundo a empresa de pesquisas ComScore. Um levantamento da companhia indica que o Pandora tem cerca de 1,1 milhão de visitas mensais, enquanto o serviço do MSN tem 2,5 milhões de visitas. Ao entrar no endereço da rádio online da Microsoft, o usuário acessa uma interface customizada do Pandora, onde tem as mesmas funcionalidades do serviço original. Basta digitar o nome de uma música, músico ou banda para ouvir um trabalho do artista preferido e, em seguida, conhecer canções de outras bandas ou músicos similares. Dentro do site, há ainda um serviço de recomendação em que o usuário pode dizer se concorda ou não com a seleção proposta pelo serviço, auxiliando a filtrar as recomendações propostas pelo Pandora. »

fonte: «Rádio online da Microsoft incorpora tecnologia do Pandora», Estado de São paulo, 23 de novembro de 2006 - 09:48

«a importância destes new media como fontes fundamentais de formação»

«Enquanto a Universal Music leva o MySpace a tribunal, criticando infracções no campo dos direitos por indevida exposição de telediscos, mal reparando que ali (juntamente com YouTube) tem janelas de divulgação para muitos dos seus novos artistas, a quem a TV e rádio fecham a porta, a CBS (estação de TV americana) bate as palmas porque, depois de assinado um acordo com o YouTube, nele descarregando largas quantidades de clips de programas seus, o programa de David Letterman aumentou as audiências em nada mais nada menos que 200 mil espectadores diários! É por atitudes como estas (da CBS) que vemos a importância destes new media como fontes fundamentais de formação e estímulo de novos públicos. É por atitudes como esta (da Universal) que aconselhamos os profissionais do sector (facção mais conservadora e desatenta, leia-se a maioria das grandes estruturas) a procurar outro emprego a curto ou médio prazo, a abrir uma pequena editora voltada para nichos (as únicas que irão sobreviver ao vedndaval), ou a experimentar, sei lá, a jardinagem...» (nuno Galopim in sound+vision, 24/11/06)

Para Mark Ramsey, há outra lição a tirar destes numeros: ganha quem tem os conteúdos. Ou seja, o material da CBS já era um sucesso, mas a partir do momento em que passou a ser distribuído por outros canais (o Youtube, no caso) ganhou ainda mais força. Mais do que dominar os meios/plataforma, há que ter conteúdos que façam a diferença.

Mais da aposta multimédia do Expresso

«O site do EXPRESSO publicou a primeira reportagem vídeo produzida por uma jornalista que até aqui limitava o seu trabalho à escrita. À semelhança do que já acontece nalguns jornais internacionais, o EXPRESSO passa assim a disponibilizar aos seus leitores mais um conteúdo multimédia.

A reportagem de Paula Cosme Pinto é um olhar rápido pelo 16.º Congresso das Comunicações. E é exactamente assim que queremos que seja, até porque a existência destes vídeos não implica que deixe de se escrever um texto sobre o assunto. Muito pelo contrário, o vídeo torna-se mais um elemento do pacote informativo que queremos dar aos leitores. Cada vez mais multimédia, cada vez mais diversificado.

Temos consciência que há detalhes a melhorar, mas o importante era dar este passo. Daqui para a frente, tendo em conta o «feedback» que recebermos - tanto de quem trabalha connosco como de quem nos visita no site -, começa a tarefa de limar as arestas. Vamos apenas acertar detalhes, pois a ideia não é sermos jornalista televisivos, até porquequando queremos reportagens de profissionais de televisão vamos pedi-las a quem percebe do assunto. Prova disso é a reportagem da SIC que também colocámos no ar, numa acção de convergência entre meios do grupo: "A prisão-escola do 115", da autoria de Pedro Coelho com imagem de Rui do Ó e montagem de André Marques.»

fonte: «Reportagens vídeo chegam ao EXPRESSO», Miguel Martins, 21/11/06, Expresso newsletter

Telemóveis à borla?

«O presidente-executivo do Google, Eric Schmidt, prevê um futuro em que os telemóveis sejam gratuitos para os consumidores que aceitem assistir a anúncios nos seus telefones móveis. «O telemóvel deve ser gratuito», disse Schmidt depois de um discurso que proferiu num encontro sobre a inovação comercial, organizado por grupos de estudantes italianos e a Escola de Administração de Empresas da Universidade Stanford. Eric Schmidt afirmou que o Google está já a fazer experiências com o envio de anúncios em texto, vídeo e imagens de marcas para telemóveis.»

fonte: «Google prevê telemóveis gratuitos pagos por anúncios», Diário Digital, 13-11-2006 9:05:04