Desde Abril de 2005 que este blogue recolhe informação sobre o impacto da Internet na rádio (convencional); O objectivo foi, desde o princípio, sistematizar informação para a redacção da tese de doutoramento. A redacção está feita, a tese entregue.

Aguardemos por novidades...

«Bob Lefsetz, who writes an influential newsletter for the music industry, constantly comments on the changes in music and the way fans are able to dig out music on their own through sites such as DontBurnThePig.org, a clearinghouse for Dave Matthews Band news and music.

"I found a cornucopia of MP3s, available via Sendspace. That's how we get our music these days. SendSpace. Or RapidShare. Or YouSendIt. The bigwigs probably have no idea what I'm talking about, they're too focused on (illegal file-sharing sites such as LimeWire or PirateBay). This is DIRECT DOWNLOADING!" Lefsetz said.

These sites let users upload files up to 100 megabytes, usually for free. They can pay more for increased capacity. It's a convenient way to send large files, especially video. But it makes piracy easy, and investigators believe it's a preferred method for moving other illegal materials such as child pornography»

«Registered users are able to:

• Track and Edit your uploaded files.
• Earn Max points for FREE premium accounts.
• Recover lost download links.
• Set a maximum upload speed limit, for ADSL/Cable users.
• Premium users can set a total number of downloads allowed.
• Premium users can set a file download expiry date.»

«CelleCast announced this week it has added five new programs to its network of on-demand talk radio programming including: Todd Feinburg Show, Nick Federoff on Gardening, Things Green Garden Minute, and science programs Earth and Sky and Clear Voices for Science.

The service already carries well-known hosts like Dr. Laura, Lou Dobbs, Jon Elliot and Dave Graveline.

Cell Phone users can start with CelleCast’s "Free and Easy" plan which requires registration but no fees. For more features, users can also upgrade to the service’s "Power Plan" for $9.95/month.

You can also listen to programming online at www.cellecast.com. CelleCast was launched in November, 2007. (Corey Deitz)

«Are you a talk radio junkie? If you sometimes find yourself away from a radio you can still grab some programming on your cell phone with CelleCast. (...) CelleCast also recently introduced "CelleGrams" which allow listeners to bookmark and send audio clips from their cell phone to someone else who might be interested.»

«How To Listen to a CelleCast

Cellecasting is the easiest way to access and listen to News, Talk and a growing list of new programs. You can listen right here on the web, and you can listen and interact by just calling up a show on your home, mobile or office phone. Just dial and enjoy.

Use CelleCast From Your Phone

1. Dial CelleCast’s universal access number (360-335-6000) or a phone number for a specific show.
2. Follow the prompts to listen, with complete control to fast forward, pause, rewind or interact with hosts.Use CelleCast From the Web
3. Find a program you want to hear under the "BROWSE PROGRAMS" menu
4. Click "LISTEN NOW" from any screen to hear the program
5. When logged in, programs can be saved to your playlist for automatic play next time you call.»

«The premise is simple. Listeners are empowered to listen to their favorite radio programs with any phone, at any time, from anywhere. Using CelleCast is as easy as dialing a phone number. No downloads required, no extra equipment to buy. A phone and the ability to dial is all it takes.»

Algumas questões que ainda não consegui perceber, porque o site não explica:

- os programas são emitidos em directo? com ouvintes?

- passam primeiro na rádio e depois neste operador? são simulcasting com a rádio?

O programa da dra Laura é emitido «Live links work only between Noon and 3:00pm PST» If there are no stations near you, Dr. Laura can be heard on XM Radio, via your cellphone through Cellecast, or through StreamLink: Ou seja, passa primeiro na rádio e depois é disponibilizado no cellecast, onde tambem pode ser ouvido em directo ou apenas depois, gravado? 

CORRÊA, Elizabeth Saad (2008), «Reflexões para uma Epistemologia da Comunicação Digital», em Observatório (OBS*) Journal, 4; 307-320 [http://obs.obercom.pt/index.php/obs/article/view/116/142]

1. What is UConnect® Hands-Free Communication?
UConnect® is an in-vehicle, hands-free, voice-activated communication system that allows you to talk on your Bluetooth^TM Hands-Free Profile wireless phone virtually hands-free. UConnect® is offered, depending on the vehicle, as a factory or dealer-installed option.

«Retorting The New York Times’ article on how dangerous Chrysler’s in-car Wi-Fi service may be is Rick Aristotle Munarriz at Motley Fool, who argues that the benefits of in-car Internet (primarily Internet radio) outweigh potential accidents cause by distracted driving. “Temptations to lose focus are already abundant,” he writes, “The allure of having a router in your car doesn’t involve multitasking drivers. Instead, it’s about enhancing passengers’ existing entertainment and information options…Critics traditionally decry most new technologies before embracing the benefits, and the concerns brewing about UConnect will likely prove no different.”»

TUBELLA, Imma (2008), «Bajo el asfalto estaba la Red». El País, 14/03/08

[http://www.elpais.com/articulo/opinion/asfalto/estaba/Red/elpepiopi/20080314elpepiopi_13/Tes]

BASTANI, Susan e FAZEL-ZARANDI, Maryam (2008), «The Effect of Internet Usage on Interpersonal Relationships: A Case Study», em Observatorio (OBS*) Journal, 6; 293-306 [http://obs.obercom.pt/index.php/obs/article/view/222/196]

Tabernero, Carlos, Sánchez-Navarro, Jordi e Tubella, Imma (2008), «The Young and the Internet: Revolution at Home. When the household becomes the foundation of socio-cultural change», em Observatorio (OBS*) Journal, 6; 273-291[http://obs.obercom.pt/index.php/obs/article/view/229/195]

JIN, Jianbin e CHEONG, Angus Weng Hin (2008), «Measuring Digital Divide: The Exploration in Macao», em Observatorio (OBS*) Journal, 6; 259-272 [http://obs.obercom.pt/index.php/obs/article/view/186/199]

EWING, Scott  e THOMAS, Julian (2008), «Broadband and the ‘Creative Internet’: Australians as consumers and producers of cultural content online», em Observatorio (OBS*) Journal, 6; 187-208 [http://obs.obercom.pt/index.php/obs/article/view/215/190]

CARDOSO, Gustavo (2008), «Portugal in Transition to the Network Society. A Generational Divide through the Lenses of the Internet», em Observatorio (OBS*) Journal, 6 ; 1-24 [http://obs.obercom.pt/index.php/obs/article/view/227/178]

Receitas publicitárias na rádio dos EUA em forte queda

«When public radio has to consider making its programs shorter because young listeners won’t listen, we officially have a documented attention span problem. (...) Break the programming down into smaller chunks. That is, one hour of music is fine if you’re in the mood to listen for an hour. You’ll rarely find a young person doing that. In the past radio worked well with block programming -- variable length shows at different times. Growing up I remember "the adults" listening to WOR, New York that had, say, a 15-minute newscast, then a 45-minute program with the legendary Jean Sheppard. There was a different standard for program length. You just had to stay tuned. Maybe it’s a 45-minute show. Maybe a 55-minute program on health. The all-night show tended to be one long block figuring that the station was providing company for night owls. Back to the future. Even a top 40 station can break into a five song countdown anywhere on its clock -- say, featuring the five newest releases in the genre.»

 The Attention Span Problem  Inside Music media, 6/05/08 

«Simon Waldman, Guardian director of digital publishing, says: “Over the last year there has been a wave of spectacular growth in online advertising. Charging for content is less of a critical success factor than two or three years ago. This really is an advertising market now.”» (BLACKHURST, 2006: 55